April, third week :: 2021

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I marked off my 120th day of writing this weekend and decided to take a few days off to reset my goals. I’m stuck on one chapter of the novel rewrites and I need a little bit of time away from it to get some perspective. I was feeling bad about how slow these rewrites are going, but then I came across James Baldwin’s admission that writing is just hard. “Every form is difficult, no one is easier than another. They all kick your ass. None of it comes easy.” Amen to that.

I asked Mark to take the long way home tonight, around the dike on the low-lying road that curves around farms and newly bright fields. We rolled down our windows and drove slowly, letting Bortkiewicz’ Lyrica Nova play out into the sunset, something we’ve done for years whenever we need to unwind. These first weeks of school I’ve had a hard time figuring out how to find real rest, but I’ve at least remembered that it begins with a little time and a bit of nature, even if it’s only seen from the window of a moving car.

The moon hung over us as we drove, a bright sickle against the blue sky. She’s moving through her cycle again, patient and constant while our world keeps fracturing and wounding itself. All around us green blades pushing up through soil, rogue daffodils in ditches, flit of deer shadows among the cottonwoods, moth dance above the windshield. Inhale. Exhale. Tomorrow I’ll get back to studying, back to learning how to write, because as James Baldwin says:

“You write in order to change the world, knowing perfectly well that you probably can’t, but also knowing that literature is indispensable to the world. In some way, your aspirations and concern for a single man in fact do begin to change the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way a person looks or people look at reality, then you can change it.

Let me know how you’re changing the world today, friends. xo


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April, First week :: 2021

Hello friends!

Phew! My first week of school is behind me. I love it all and I have all my homework done early like a good Enneagram 1. I’m exhausted and also my brain won’t stop churning over all the things and I’m exhausted. Did I say that already? I already regret my arrogance at not taking the easy math path. My children promise me the first couple weeks of term are the worst and I will get into a groove before I know it. (Please let that be true for almost-50 year old brains too.)

I am in love with everything about Community College, especially the egalitarianism of it. It’s open to everyone, it’s cheap(ish), and the professors are not going to get famous and make their careers here, so they’re just the type of people who like to help the ragtag rest of us learn things. And boy are we ragtag. I have to turn off my Zoom camera so I don’t just grin with happiness at all the diverse and wonderful humanity in my classes. Everyone - I mean, mostly everyone I talked to about starting school - told me I would be so annoyed by the young people in my classes, but listen, I AM NOT ANNOYED BY THE YOUNG PEOPLE. I love them. I love the boy who spends the whole class staring at himself and smoothing his hair back, up, down, flip the bangs, every two minutes. I love the kid who refuses to answer any questions posed to him. None. I love the girl who just graduated from her ESL class and always has to ask the meaning of words (you go, girl.) I love the ones who insist we have our pronouns visible next to our names so no one feels unwelcome. I love the spotty, awkward kids whose voices crack when they are called on and the bright-haired extroverts who cannot quit interrupting. The world is just full of interesting and gorgeous humans and I’m so glad to be a part of it. Do I sound excited and ridiculous? I know. But honestly, the world is beautiful and I’m happy to be here.

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We ended March with the most wonderful walk down to the river to see the Full Crow Moon ride the night sky. (I just shot these photos with my iPhone, so please excuse the graininess!) I’m getting better about marking these days with small ceremonies. Full moons are for gratitude, which was a perfect way to end the month and begin a new one with so many changes.

I don’t have much more to offer this week, except an apology for the missed comments and emails I haven’t responded to. I hope I’ll be more coherent next week. Until then, enjoy this strange and wonderful world we live in as much as you can. I hope you get some sunshine and maybe some (appropriately distanced and masked) time with actual people this week.

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Gathered:

~ I make kombucha every couple of weeks. This post from Cat’s gorgeous blog inspired my best batch yet, which I made with rosehips, hibiscus, elderberry, schisandra berry and ginger. Soooo yummy!

~ Johnny Flynn and Robert Macfarlane are releasing a pandemic album inspired by Gilgamesh. ARE YOU KIDDING ME? I can’t even. Preview Gods and Monsters. (Also, Johnny Flynn is the best thing about the new-ish Emma, which has many amazing qualities.)

~ And this reminder from Gladys Taber: “I believe there is nothing so tiresome as an apologetic woman.”

Peace friends,

tonia

March, Fourth week :: 2021

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The new dog, Laika, is a little sensitive. She’s supposed to go to work with my daughter every day but a vet’s office is full of strange dogs and people and noises that make her anxious, so she has to stay home with the rest of us on workdays. I’m not really a dog person, or rather, I like dogs just fine when they belong to other people and not so much when they are my responsibility, but for most of the day Laika is quiet and sleepy and as unobtrusive as the cats, so we get along fine. A couple of times a day she stares at me with the saddest possible eyes until I take her out to the (unfenced) woods so she can explore without getting lost. On Laika-days I am forced out of my homebody-ness and out under the trees in all kinds of weather, something I’ve never been able to do consistently by my own willpower. Which means the dog that I did not really want has become a facilitator of something important for me.

Today while we were tramping around in a different part of the woods I found four plastic jugs full of water tied together with baling wire and buried in the leaf litter near a downed tree. There were rumors around town last year that a couple of homeless men had been sleeping in the old gravel mine that butts up against our property. This is the size of town that knows exactly who the two homeless men are and how they ended up sleeping in the old gravel mine, so I had an instant mental image of those jugs slung over the back of a particular bike on their way to and from town. No one had disturbed the buried jugs for some time, so while it’s mildly upsetting to think of strangers (neighbors?) sleeping in my backyard, I wasn’t really worried as I dug them out. I was wondering instead where the men are now as I haven’t seen them for months. The plague year has closed me in on all sides, put me on the defense, outstretched my compassion.

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This week I was listening to Bayo Akomolafe talk about this feeling of overwhelm and how continually focusing on how to solve the world’s problems may be limiting us. Perhaps, he asserts, it is possible to use uncertainty instead. I have plenty of practice with uncertainty: I don’t know what to do about the water bottles in the woods or my homeless neighbors or gun violence or species die-off or the mess of late-stage capitalism. But when Laika draws me out under the sky and the rain hits our skin and the squirrels dash through the Fir branches and the Cedar shelters this tiny cache of human need I am suddenly aware of my connection to this great, groaning, speaking, moving Being that is Us, our world. “This world is promiscuous,” Akomolafe says, “it dances here and there, and new paths are always emerging.” It is in the listening, the connection, the waiting, he asserts, that we may be able to see the new ways of healing the world is devising for itself. Our culture abhors an unsolved problem, knows only the success of production and action, but for centuries there have been people who faced the world’s needs by retreating to lonely places to pray or chant or learn from the land. Maybe my daily visits to the trees are tapping into that quiet energy, maybe this nervous, sensitive dog that needs the woods is a deep calling to come away and learn. If so, I say yes.


Gathered from this week:

~ Robins - by Peter Johnston. A lovely little film that will help you exhale.

~ Hedgespoken Picturehouse - Are you tired of streaming, polished, image-heavy stories yet? Tom Hirons and Rima Staines have brought their traveling, off-grid, story caravan online for live storytelling. I haven’t listened/watched this yet, but I have plans for tonight with a glass of wine and my pjs. UPDATE: I listened this evening and it is marvelous! <3

Don’t miss Rima Staines’ amazing artwork either.

~Adam Zagajewski’s Mysticism for Beginners

I hope you find some quiet places for your soul this week. And as it was Mr. Rogers’ birthday on Saturday, let me just say, “I like you just the way you are.”

Peace and love,

tonia

March, first week :: 2021

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I learned a new word for myself this week: nemophilist : someone who is in love with forests and the woods, who visits often, a “haunter of the woods.” I was born in a desert valley, but I swear my heart formed under the roots of a moss-pelted Douglas fir. Even as a child I knew that I belonged with trees. I love so many kinds of natural places, but when I enter our tiny patch of woods and stand still, I feel connected and known in a different way, as if I had sprung from this very ground, as if I am a part of the vital network that links all the natural world. And of course, I am. It’s a part of our modern affliction that we think of nature as something outside ourselves, something we go to visit or escape into. But nature is not something out there, it is us.

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Sometimes, I begin my day meditating outside on the back deck. In the winter, that means bundling up and carrying a candle out to my chair, but there is something wonderful about sitting in the still-dark, listening to the world before the neighbors begin driving by on the road below, just the sound of the creek and the occasional shush of trees I can’t yet see. It’s like finding myself again before the world pulls and tears, asking me to forget. Today I found myself whispering, show me how to live within this harmony.

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I spend a lot of time thinking how to lessen my impact, create zero waste, leave no trace. But lately I’ve been thinking how that language can lead to disordered thinking of ourselves as something apart from, as invaders who don’t belong here and must tiptoe across the landscape in repentance for existing. Instead, I want to start asking how to live with, to learn the harmony and reciprocity I am meant to be a part of. Not just how can I quit consuming too much and creating waste, but how can I be a gift to this land? What can I give back to it? It’s a small shift, but one that leads me more into the flow of abundance and generosity that I believe nature is always singing about.

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This week the sun arrived and a daffodil bloomed, sapsuckers are at work. Thank you, March for coming. We needed you.


Notes from this week:

Fred Bahnson’s essay “Keeping the World in Being” - “I’m attracted to Cassian’s writings and the work of other early monastics because they reveal parallels between the era of the desert fathers and our own; they, too, lived during a time when the known world was coming unhinged. In 313 CE, when the Roman emperor Constantine declared Christianity the official religion of the Roman Empire, thereby marking the beginning of Christendom, men and women of conscience knew that the wedding of church and state was not a betrothal: it was a betrayal. The early anchorites withdrew from this arranged marriage because they knew that Christendom could no longer sustain their inner lives, that civilization had in fact gone mad. They left the cities and withdrew to the Egyptian desert, where the vastness of their spiritual hunger could be met by an equally vast landscape.”

~ With apologies to the minimalist mood of the moment, I’ve given over to bookish hedonism. I don’t want to be restrained. I’m happiest when I’m surrounded by them, reading them, creating them. Nemophile, bibliophile, not sorry. As Ryan Holiday says at the end of his newsletters:

I promised myself a long time ago that if I saw a book that interested me I’d never let time or money or anything else prevent me from having it. This means that I treat reading with a certain amount of respect.

May have sent this image to my husband ten times this week:

~ “Every hour spent reading is an hour spent learning to write.” ~ Robert Macfarlane

~Despite my ongoing efforts, I’m not much of a music person (I know, I’m sorry, my formative years were wasted), but I do love a song that reaches out and connects in my mind to characters in my stories. Sometimes it’s the lyrics, sometimes it’s a sound, sometimes a mood, but they’re almost always pop songs because I usually discover them in the car on long drives while my mind is working out plot points. Currently, Harry Styles and I are deep into The Spaces Between with Falling (the whole Fine Line album is terrific, btw). My other novel favored lots of John Mayer.

~ William Stafford is one of my life-mentors for a good reason. His blend of pragmatism and natural optimism make me hopeful. I’m leaving you with my morning copywork from today - with a slight {alteration} - if you’ll forgive my boldness, Mr. Stafford.

A Story That Could Be True

If you were exchanged in the cradle and
your real mother died
without ever telling the story
then no one knows your name,
and somewhere in the world
your father is lost and needs you
but you are far away.

He can never find
how true you are, how ready.
When the great wind comes
and the robberies of the rain
you stand on the corner shivering.
The people who go by—
you wonder at their calm.

They miss the whisper that runs
any day in your mind,
“Who are you really, wanderer?”—
and the answer you have to give
no matter how dark and cold
the world around you is:
“Maybe I’m a {queen}.”

May you face all your doubts and questions today in such a spirit.

peace,

tonia

P.S. Three weeks until my classes start and I’m working as hard as I can on rewrites for The Spaces Between. Send stamina and a few extra hours, please. <3

February, fourth week :: 2021

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I went out for a walk this morning, the first one in a while. The trail is just on the far side of winter now, right on the doorstep of spring. I could almost hear the nettles pulsing their fresh green heads beneath the mud. Another week? Two?

For our Northern Hemisphere ancestors, late February would have been a hungry time, the cold damp deep in the bones, the winter stores gone or withered of their vitality. I imagine some long-ago ancestress scanning the fields and woods for that first flash of green, the first sign that nourishment was coming. I live a very different life, but I find myself harboring the same February ache, searching my own fields for something fresh and life-giving. You too?

I made the rounds the other day online, doing my civic duty to stay informed and aware, and I wondered if the news has ever been such a late-winter place, full of muck and weariness. I came away spattered with our local version, a sneering kind of mud, supercilious and cynical, that clings to the mind long after.

I have to be careful with that kind of thing, because cynicism and superciliousness come too easy to me. Writing has been a way to resist it, to grow, by the force of words, something green and hopeful within myself. I wrote myself a note that day: You are not an outrage factory.

I keep thinking of something Barry Lopez wrote about his friend, Brian Doyle, whose life and work mentors me constantly:

You were … the example that keeps us from despair, cynicism, detachment, and the other poisons bred in the bowels of our complex lives.

You walked in beauty, my dear friend. We all watched.

And now it is our turn.


(So. You are not an outrage factory. You are a lamp, made to be filled with light, a bowl of herbs, pungent with healing, a circle of arms for welcome. Your eyes are made for far-seeing and uncovering hope. This, this, this, is you.)



A handful of things from the week:

"The Peace of Wild Things" by Wendell Berry is part of our "Poetry Films" series, which features animated interpretations of beloved poems from our archive. ...

H/T: Rachel

~ This post from Susan about where writers work. Some lovely and inspiring photos. (Wendell Berry {happy sigh.} And despite my love for huge bookcases, Nigella Lawson’s space is giving me a bit of claustrophobia!)

~ Saturday’s full moon is the Snow Moon, the last full moon of winter. I’m going to make something simple for dinner, in keeping with the late-winter theme. (Maybe a nightshade-free version of colcannon and some sausages? I might splurge on dessert though.) If the weather cooperates, we’ll spend some time under the moonlight. <3

~ Exploring the work of Caroline Shaw after reading about her in The Atlantic. Here’s a nice introduction.

I’ll leave you with something from Brian Doyle:

The coolest most amazing people I have met in my life, I said, are the ones who are not very interested in power or money, but who are very interested in laughter and courage and grace under duress and holding hands against the darkness, and finding new ways to solve old problems, and being attentive and tender and kind to every sort of being, especially dogs and birds, and of course children.

Let’s hold hands against the darkness, shall we?

tonia